GQ Magazine
GQ Magazine
Originally Gentlemen's Quarterly is Condé Nast's flagship American men's magazine, first launched in 1931 as Apparel Arts for the clothing trade before becoming a consumer fashion and lifestyle monthly in 1957 and shortening its name to GQ in 1967.
Published monthly and still running today, it moved far beyond suits and grooming to define modern men's culture with a mix of fashion spreads, celebrity profiles, sports, politics, and long-form journalism.
By the 1990s it was at its peak influence, known for polished covers and heavyweight writers tackling Hollywood, Washington, and literature in the same issue.

This December 1996 issue, with a casual-chic Tom Cruise "Pinned Down" at the height of his Jerry Maguire superstardom, is classic '90s GQ holiday style, NBA future-stars Allen Iverson and Stephon Marbury, plus pieces by Nicholas Lemann, Frank Conroy, and Tom Junod.

This issue includes a segment called "Lounge Acts" that feature blues and swing bands, including Big Bad Voodoo Daddy. The photo shoot was very cool and fun. We had to get fitted the night before in Los Angeles. We got to keep the clothes we were wearing in the photo shoot which was awesome too!

The Great Joe Williams. I got to see him perform at Fresno State University in the 80's.



This was the last photo taken at the shoot. The photographers wanted us to do something silly, and this is what made it into GQ, too funny.




This is a copy of the actual photo from the shoot that I purchased from the photographer.
These next photos were a couple polaroids taken on the photo shoot as test pictures for lighting. I had asked the photographer what was going happen with the pictures. He said I could a a couple if I wanted, so I thought I would include them here.


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The magazine articles, photographs, advertisements, logos, page designs, and other published material reproduced in this archive remain the property of their respective copyright holders. No ownership of third party copyrighted material is claimed.
The material is presented for historical documentation, commentary, research, and archival purposes in connection with the documented history of Big Bad Voodoo Daddy. The reproduced pages are included to identify and discuss the band's appearances in contemporary publications and to preserve a record of how the band was represented in the print media of the period.
Publication names, trademarks, logos, photographs, articles, and other identifying material are used to identify the original sources and provide historical context. This archive is not affiliated with, sponsored by, or endorsed by the publications or their respective copyright holders unless specifically stated.
These scan sand restorations are not intended to replace the original publications or to serve as substitutes for purchasing or accessing those publications. Where applicable, the inclusion of copyrighted material is intended to fall within the principles of fair use under Section 107 of the United States Copyright Act. Fair use is determined according to the particular circumstances of each use, and this notice is not intended to establish or guarantee a finding of fair use.
The purpose of this archive is preservation, historical documentation, and commentary about the band's own documented history and its place in the music and popular culture of the 1990s.